Successful writers have a unique voice.
It’s that combination of style, tone and use of language which makes them utterly readable. Utterly memorable.
Sometimes voice is consistent, which means you can pick up any book written by a particular author and instinctively know who wrote it. Sometimes voice changes depending on the type of writing, the characters involved, the subject matter.
As an aspiring or novice writer, perhaps you’ve struggled to find your own voice. Or worse, maybe you weren’t even aware it was missing in the first place.
Whatever the case, you want to be memorable. You want to be readable.
How can you find your voice?
Here are 5 easy ways to help you begin to unleash it today:
Read Critically
First, go to the library and borrow 3 different books by the same author. Choose books you’ve never read before, ones by well-established authors, and ensure your selections are of the same genre as that in which you write/intend to write.
Go home and start reading, making notes on the author’s voice as you go along.
- Is it consistent throughout the 3 books?
- Does it significantly change, and if so, can you think of reasons why?
- What elements of the author’s writing combine to produce a unique voice?
Next, borrow 3 books by different authors who all write in the same genre. Repeat the reading/analyzing process, this time noting what is unique about each author’s style.
When you’ve finished all of this, you should have a greater understanding of voice.
However, don’t turn around and try to emulate these authors, no matter how much you admire their writing. It won’t work, and may even backfire, as you struggle to force yourself into someone else’s style.
Experiment
You can’t expect to find your writer’s voice in the first thing you put on paper. It takes time and experience to develop.
Still, there are some quick ways you can start the ball rolling. Try this exercise:
Choose a simple and practical writing subject — perhaps an anecdote from your day. Write a couple of paragraphs about it in your natural style.
When you’re finished, write about the same occurence in the following ways:
- Write Freely. Clear your mind of everything except the subject itself. Forget about grammar, spelling, style, form or anything else. Just let your pen (or keyboard) do the work.
- Write Technically. Take the subject and look at it from a completely objective and factual point of view. Don’t be creative. Do be exact.
- Write Flowery. You have permission (just this once) to be totally verbose. Be descriptive to your heart’s content.
- Write Simply. Write the bare bones, and nothing else.
You should now have 5 different versions of the same subject.
- Which one most resembles your natural style?
- Which version, other than your own, was the most difficult to produce?
- Of the 5, which do you think most exhibits a sense of voice, and why?
Find a Fresh Angle
The beauty of children is that they see everything from a creative angle.
Take my 7-year-old, for example, when we heard a droning sound from outside our window one night. I thought it might be a passing train or an airplane flying overhead.
Instead, my son confidently claimed, “It sounds like someone’s having a didgeridoo party!”
A unique voice comes from seeing the world in a different light.
Whenever you see, hear, feel, smell, or taste something, stop yourself for a moment. Think about it. Think about what words would describe it in the best way, in the most evocative way, in the freshest way.
Imagine you’re retraining your mind to see everything differently to the average Joe.
After all, who wants to read about life from Joe’s perspective?
Bend the Rules
There are all kinds of writing rules.
You probably started learning them on your first day of school and continued until your last. You’ve probably spent every day since then trying to remember the rules and refrain from breaking them.
These might ring some bells:
- Never start a sentence with ‘Or,’ ‘and,’ or ‘but’
- Every sentence must have a subject and a predicate
- Don’t split infinitives
Guess what?
Writers bend these rules every day. The thing is, they bend them on purpose, not because they don’t know any better. They bend them as a stylistic choice which adds to their unique writing voice.
Of course, there are writing rules that should always be obeyed, no matter how creative you wish to be. However, don’t feel constrained by every grammatical rule you ever learned, especially if it feels stiff or detracts from your voice.
Simplify
Often, the most unique voices in writing are those which say things in the simplest way. Take George Eliot, who said, “The finest language is mostly made up of simple unimposing words.”
Perhaps your writing is too cluttered. Too many words. Too many descriptors.
Next time you sit down to write, make a conscious effort to use only the best words possible. This will mean using fewer words, but choosing them carefully based on their power.
Short and simple can sometimes be the ticket to defining your unique voice. See if it makes a difference in your writing.
Writer Unleashed
If your voice is unclear or seemingly non-existent at the moment, don’t just sit there feeling ineffective.
Try these 5 tips for finding your writing voice, and start seeing a change for the better today.
Jeffrey Tang says
Suzannah, this is a terrific post. The more I write, the more important finding a voice becomes. When I start writing something in the right (no pun intended) voice, it just seems to click. If I have to force the words out of my head, it usually means that something's gone wrong.
I love the tips you give here. I think experimentation is something writers do naturally. You write something … then you go back and edit … and edit some more … then you scrap the whole thing and start over. All the while, you're discovering your voice, bit by bit.
I can really identify with what you say in the "Find a Fresh Angle" section. Whenever I see something, hear something, feel something … I'm always trying to find the best words to describe whatever it is I'm experiencing. I think it's a great way to develop writing skills and come up with creative ways to use language.
Awesome post. Will be sharing this 🙂
swfreeman says
Hey Jeffrey,
I like what you say about "if I have to force the words out of my head, it usually means something's gone wrong." I feel that way too. It all comes with experience, doesn't it? The more you write, the more defined your voice becomes.
I'm really glad you found this post helpful, and thank you for passing it on!
Lori - JaneBeNimble says
Hi Suzannah,
I've been enjoying reading your blog; thanks for your efforts here!
I'm also very glad that you put away the notion that because you teach, you're not a writer. You are clearly a great writer and have a lot to share with the world.
I really liked your four experiments. I will definitely try that!
Enjoy the remainder of your weekend, and thanks, again, for the work you are doing here at write it sideways.
Cheers! 🙂
swfreeman says
Lori,
Thanks so much for your comments, and I appreciate your feedback. Yes, it's very difficult for anyone to balance teaching and writing, but the two CAN live together in harmony! Please do try these exercises for finding your voice, and let us all know how you go with them. Cheers!
Josh Hanagarne says
Suzannah my friend, spot on. You've got a knack for simplifying concepts that writers really like to overcomplicate for themselves. Always a pleasure.
Writing makes a writer. Writers write. Teaching has nothing to do with it.
Suzannah says
Josh,
Thank you! Especially coming from someone with such a cool and entertaining site, yourself … Now hurry up and get that book out to the world so we can all read it 🙂
Lake says
Outstanding – thanks. I think that in the pursuit of creating razor sharp prose we sometimes revise our voice right out of our work. I’ve sometimes found that I take a project back to an previous draft, so I think you’re on target here. I especially liked the suggestion to be verbose. Well done.
.-= Read Lake´s last article ..Write it Sideways – Finding Your Voice =-.
Suzannah says
Lake,
You're right. Sometimes in the process of editing, we lose our voice. I think it's something that comes with practice, but it can't be forced.
Thanks!